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1 C. 3. 3. (Wilde, Oscar) THE BALLAD OF READING GAOL by C. 3. 3.
New York Brentano's 1909 Early American edition Paper covered boards Good 
16mo (6.25” x 3.9”) pp.39. Light blue-green paper covered boards with white paper label on front cover and spine printed with titles in black; front label bordered in red. Title page printed in black and red. No dust jacket as issued. Overall a good, tight copy of this later American release. Wilde’s dark poem about the brutality and inhumanity of prison life had at its focus the execution of another prisoner for the premeditated murder of his wife. This book, like most early releases of The Ballad of Reading Gaol, was not published under Wilde’s name, which was infamous at the time and might have reduced sales, so it was published under a pseudonym derived from his prison identification number: block C, landing 3, cell 3. 
Price: 8.25 USD
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2 Eliot, George (Mary Anne Evans) SILAS MARNER THE WEAVER OF RAVELOW
Edinburgh William Blackwood and Sons 1861 First Edition Half calf Very Good 
8vo (5¼" x 7¾"). pp. [i-vi]; [1] 2-364. Light brown half-leather over blue and peach marbled boards. Spine with 5 raised bands decorated in blind and 6 compartments; 5 decorated with a fleuron and in blind, and the sixth with a black calf label and titles in gold. Half-title and advts. were left out during contemporary rebind, but collation against the Baker and Ross collation and comparison to Eliot's proof revisions both indicate that this is a first edition.

Considered one of the greatest novels of the English language, Silas Marner is the story of a lonely miserly man who is redeemed through his love for an abandoned child.

Scattered minor foxing, mostly at the endpapers heavier towards the prelims; small, neat ownership mark to the flyleaf; light edge wear with some light to moderate rubbing, otherwise a beautiful copy. Sadleir 819; Baker and Ross A6. 
Price: 250.00 USD
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BIRDS, BEASTS AND FLOWERS, Lawrence, D. H.
3 Lawrence, D. H. BIRDS, BEASTS AND FLOWERS
New York Thomas Seltzer 1923 First Edition Half morocco Fine 
8vo (6½” x 8½”). pp. 180. Quarter black morocco over black linen. PRESENTATION COPY, boldly inscribed and signed by Lawrence to his friend, Eduardo Rendón, a Mexican intellectual and rare book dealer: "Eduardo Rendón from D.H. Lawrence." Considered both by Lawrence and the critics to be his finest volume of poems, Birds, Beasts and Flowers was "one of the earliest works of Modernism to take full advantage of the power of free verse" (New World Encyclopedia).

This book of nature poems reflects on the birds, beasts and flowers Lawrence encountered in his travels in Italy, the American Southwest, Australia and Ceylon between 1919 and 1923. These poems show the influence of Walt Whitman and include some verse that is erotic in nature. 
Price: 2000.00 USD
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PALMETTO LEAVES, Stowe, Harriet Beecher
4 Stowe, Harriet Beecher PALMETTO LEAVES
Boston James R. Osgood and Company 1873 First Edition cloth Very good + 
12mo (5¼” x 6¾”). pp. 321. INCLUDES SIGNED NOTE FROM HARRIET BEECHER STOWE. Unsigned binding design of palmetto leaves and titles in gold with stamped patterned framing on rust colored cloth. Includes illustrated headpieces throughout. Note laid in: "Very Truly Yours, H B Stowe| Feb 26 1884". A memoir about Stowe's winters in Florida incorporated into a travel guide. Palmetto Leaves was one of the first travel books written about Florida and as such, helped to stimulate its tourist and residential development in the 1880s. 
Price: 625.00 USD
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5 [Beardsley, Aubrey]; Wilde, Oscar SALOMÉ. A TRAGEDY IN ONE ACT: Translated from the French of Oscar Wilde Pictured by Aubrey Beardsley
London Melmoth & Co. 1904 cloth Very good Beardsley, Aubrey 
Pirated edition containing the first appearance of 15 original Beardsley illustrations WITH PLATES for 11 OF THE 16 illustrations FROM THE 1907 LANE ISSUE OF SALOMÉ. Small 4to (8 ½" x 6 ¾"). pp [1 - 10]; 11 - 75; [76 - 77]; [2 blank]. Collated and complete, but plates are not in the order specified on list of illustrations as usual. Limited edition; this copy number 238 of 250 copies printed on handmade paper. Beveled boards in light blue cloth with titles stamped in gilt on the spine. A very good copy with a lightly sunned spine with moderate rubbing to head and tail; minor rubbing to corners and faint soiling to boards. Etched bookplate by Theodore Diedricksen for Donald S. Tuttle on front paste-down. Contemporary advt. tipped in on ffep recto, later catalog entry tipped in on rfep verso. WITH 11 of the 16 original illustrations included in the J. Lane, The Bodley Head 1907 issue of Salomé, including: Woman in the Moon (IV), The Peacock Skirt (V), A Platonic Lament (VIII), Enter Herodias (IX), The Eyes of Herod (X), The Stomach Dance (XI), The Toilette of Salomé I (XII), The Toilette of Salomé II (XIII), Dancer’s Reward (XIV), The Climax (XV) and Cul de Lampe (XVI). The plates are on a light woven paper with age toning along the margin edge, and signs along the left edge where the pages had been tipped into the 1907 Lane issue. Many of the plates show pencil markings following the contours of the drawings; there are light ink marks and smudges scattered on the recto and verso margins. “Woman in the Moon” has erasure marks and redrawing as well as contemporary measurements written in ink on the lower left margin. Overall, the condition of the plates is Very good. Salomé was Oscar Wilde's one act play retelling the biblical story of King Herod's stepdaughter Salomé, who asked for the head of Herod's prisoner, John the Baptist, on a silver platter in exchange for performing an erotic dance for her step-father. Salomé was attracted to John the Baptist, but was angered when he refused to kiss her. Beardsley's drawings for Salomé caused controversy even before they were published by Elkin Mathews and John Lane at the Bodley Head for the first time in 1894. Shocked by and fearing the public's reaction to Beardsley's graphic images of hermaphroditism and frontal nudity in his proposed drawings for Salomé, Lane had Beardsley redraw the title page and "Salomé's Toilette" as well as remove the drawing, "John and Salome", before the book was printed. This 1904 edition of Salomé was pirated by a publisher named Leonard Smithers; "Melmoth & Co." was one of Smithers' many publishing "front" companies. Smithers had been acquainted with Wilde since 1888, and began publishing for both Wilde and Beardsley once Lane dropped them following Wilde’s trial in 1895. Smithers went into bankruptcy in 1900, and started issuing pirated works soon after to keep out of debt. Since Smithers sold the copyright of Beardsley’s drawings for Salomé to John Lane (The Bodley Head), during his Bankruptcy proceedings, Lane was able to have the 1904 Melmoth & Co. run of Salome seized and suppressed (destroyed). Those copies that survived Lane’s purge (including this one) were the first edition (authorized or unauthorized) to contain 15 of the 16 original Beardsley illustrations since the Melmoth 1904 issue preceded the 1907 authorized edition of Salomé from John Lane that also contained Beardsley’s original illustrations. A direct comparison of the 1904 Melmoth issues to the1907 Lane issue shows that the title pages of both Melmoth issues and portfolio do not contain Beardsley's original hermaphroditic title page found in the 1907 John Lane issue. Mason 615; Nelson, Publisher to the Decadents, p.262, p. 274; Delaware Art Museum, Aubrey Beardsley’s illustrations for Oscar Wilde’s Salomé (1.28.15); Arnold, City of Sin (google books; no page given); The Stanford Companion to Victorian Fiction, p. 591. 
Price: 500.00 USD
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6 [Beardsley, Aubrey]; Wilde,Oscar SALOMÉ, A TRAGEDY IN ONE ACT TRANSLATED FROM THE FRENCH OF OSCAR WILDE WITH SIXTEEN DRAWINGS BY AUBREY BEARDSLEY
New York Illustrated Editions Company ND [1931] Later printing Cloth Very good poor Jacket Beardsley, Aubrey 
8vo (9.5” x 6.5”). pp. [1], [121]; beveled red boards and black spine gilt stamped with titles on spine and Art Deco decorative motif on spine and boards. This reprint of the 1927 John Lane issue includes facsimiles of the original publisher’s binding for Salomé, the playbill cast lists for the first English performance of in May,1905 and the first operatic performance in December, 1905. See Navarre 234 and Daalder 2004. A very good copy with light toning to edges and light rubbing to one corner in a carefully preserved dust jacket that is missing rear cover and flap. Aubrey Beardsley’s decadent Art Nouveau masterpiece contains 16 illustrations that include characterizations of Wilde as the Moon (Boyd, 2008). This is the 1912 translation of the play (considered the best) by Robert Ross, Wilde’s friend, purported lover and literary executor. 
Price: 22.50 USD
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7 [Brock, Charles E.], Washington Irving THE KEEPING OF CHRISTMAS AT BRACEBRIDGE HALL
London J. M. Dent and Sons, Ltd. N. D. [1906] First Thus Straight grained calf Very good + Brock, Charles E. 
C8vo (5.4” x 8”). pp. xvi, 267. Bound by Riviere & Son for Leary’s Bookstore in scarlet straight grain morocco bordered with double gilt fillets bound in each corner by a single circle motif. Spine has five raised bands. Bands and four compartments decorated in gilt pointillé, with the two remaining compartments having black morocco labels with titles, and gilt striping to edges. Fantasy marble endpapers in shades of scarlet with elaborate gilt dentelles; a.e.g. Color Frontis. (with tissue guard),color illustrated title page, 14 full page illustrations in color and chapter headings in b/w by C. E. Brock. Printed by the Temple Press. Part of Dent’s “Series of English Idylls”.

A very good copy with darkening to the top and fore-edges of boards and light foxing to the prelims; a neat ownership written on the front fly leaf and a gift inscription neatly written on the verso of the rear fly leaf. A lovely copy of this wonderful Brock interpretation of Irving's early 19th century Christmas reminiscence. Skilton p.161 
Price: 80.00 USD
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8 [Browne, Hablot K. (PHIZ)]; Dickens, Charles A TALE OF TWO CITIES
New York Thomas Y. Crowell Company 1904 Cloth Very good Browne, Hablot K. (PHIZ) 
8vo (8¼” x 6”). pp.[xiv]; 400. An unsigned publisher’s binding in red woven cloth with intricate gold Art Nouveau floral decorations in ruled frames separated by framed titles with St. George’s cross and a sailing ship surmounted by fleur-de-lys. Spine gold stamped with titles and a repeat of the floral decorations from the cover. Frontis. of Marie Antoinette with tissue guard, a portrait of Dickens on the title page, and reproductions of the 16 full page illustrations by Phiz from the first edition. Includes a story synopsis by J. Walker McSpadden. A Very Good copy with slight fading to the spine, three small blemishes to the top of the cover and a couple of uneven edges Overall, a lovely, clean reproduction of an early edition. 
Price: 19.50 USD
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9 [Cruikshank, George]; Dickens, Charles OLIVER TWIST BY CHARLES DICKENS (BOZ,) AUTHOR OF “PICKWICK PAPERS,” “NICHOLAS NICKELBY,” ”SKETCHES OF EVERYDAY LIFE," &c. &c. &c.
Philadelphia Lea & Blanchard, Successors to Carey & Co. 1839 First Thus Quarter Cloth Very good Cruikshank, George; Yeager, John 
R8vo (10” x 6½”). pp. [9 -10]; 11; xii; 13 – 212; 3 preliminary blank leaves, list of illustrations, text in double columns. Bound up from the original parts. Twenty-four full page illustrations after Cruikshank etched on steel by John Yeager, with plates 13 through 24 bearing the names of both Cruikshank and Yeager. Contains the “Fireside plate”, which was cancelled after having appeared in only a few copies of the earliest English issue, and is consequently scarce. Beautifully rebound in quarter rose cloth over nonpareil marbled paper in rose, blue and white with titles gilt stamped on two black leather spine labels. The text of this scarce issue was copied from the original parts as published in Bentley’s Miscellany, and as such show Dickens’ original textual intent that was lost to editing in the English bound editions. The double column pages in this issue include duplications of those pages repeated in the succeeding part, and includes a note from the publisher apologizing for the comparative lack of illustrations in the August 1838 issue, promising that they would be made up in the next issue. Binding: VG+; Illustrations: VG with the exception of pp. 67,109 and 200, which have tape repairs to the verso. Text: VG with small stains scattered throughout and a few closed tears that do not affect the text. Podeschi A31; VanderPoel B89; Wilkins 358 
Price: 158.00 USD
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10 [Enright, Walter (cover design and illustrations); Townsend, Harry Everett (floriated initials); Peattie, Barbara (illuminations)]; Peatie, Elia W. HOW JAQUES CAME INTO THE FOREST OF ARDEN AN IMPERTANENCE
Chicago Blue Sky Press (1901) First Edition Cloth fine Enright, Walter (cover design and illustrations); Townsend, Harry Everett (floriated initials); Peattie, Barbara (illuminations) 
16mo (6 ½" x 4 ¾"). Unpaginated. Limited edition of 700 copies on Van Gelder handmade paper. Tan cloth boards with brown paper onlay to front and rear boards. White title label ruled in red on spine. Arts & Crafts style cover design, frontis. and 4 additional illustrations on Japan vellum by Walter Enright. Printed in Caslon Old Style with rubricated title page and headlines. Floriated initial letters by Harry Everett Townsend that were hand illuminated by Barbara Peattie. A beautiful production in impeccable contition. 
Price: 125.00 USD
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11 [Flint, W. Russell; Brock, Charles]; Gilbert, W. S. THE YEOMEN OF THE GUARD OR THE MERRYMAN AND HIS MAID
London Macmillan & Co. Limited 1929 First Edition cloth Very good + Very Good - Jacket Brock, Charles; 
M8vo (9½" x 6¾"). pp. vi; 102. INCLUDES SCARCE DUST JACKET. Unsigned publisher's binding by Charles Brock in red cloth covered boards gold stamped with titles and image of Jack Point (p. 1); Spine gold stamped with titles and an image of Wilfred Shadbolt (p. 5). near the foot. With brown paper dust jacket STAMPED IN RED WITH TEXT AND ILLUSTRATION FROM TITLE PAGE. Color frontis. and 7 additional full page illustrations by W. Russell Flint, with pen and ink drawings including head pieces, tail pieces and textual illustrations by Charles Brock. Book VG with faint fading to board edges and light rubbing to spine and corners. Dust Jacket VG- with wear and chipping along edges, spine and corners. 
Price: 65.00 USD
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12 [Goudy, Frederic W.]; Wilde, Oscar THE ESSAYS OF OSCAR WILDE
New York Cosmopolitan Book Corporation (1916) First Thus Leather bound Very good - good - Jacket Frederic W. Goudy 
12mo. (6.75“ x 4.0“); pp. x, 624. [1, advertisements]. Unsigned binding design by Frederic W. Goudy. "Decorations and types used in the book specially designed by Frederic W. Goudy" stated on the verso of title. Mahogany leather publisher’s binding stamped in gilt on both cover and spine with floral design by Goudy. Maroon endpapers embossed with lions rampant matching those embossed on dust jacket; t.e.g. A bright example of Goudy’s skill in typography and design in VG- condition. Bookplate affixed to front paste-down; neat gift inscription on flyleaf. Head of spine lacking with some chipping to top edges. Scarce DJ in good- condition repeats Goudy’s title page design in purple on embossed paper. Frederic Goudy (1865-1947) was one of the most prolific type designers in the United States, with over 100 typeface designs to his credit and is ranked alongside Theodore Low De Vinne and Bertram Grosvenor Goodhue in his importance to typography and book design. 
Price: 12.75 USD
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13 [Shepard, E. H. (illustrator), ARA (illustrator)]; Milne, A. A.; Schiffer, E. L. (Translator) PU DER BÄR (German translation of Winnie the Pooh)
Berlin-Grünewald Williams & Co. Verlag GmbH 1929 Hardcover Very good Shepard, E. H.; A.R.A. 
8vo (6¼" x 8¼"). p.202; [205]. Quarter Blue cloth over pictorial paper covered boards; Laid paper eps. Frontis. and vignette line illustrations throughout by E.H. Shepard; Color frontis. color cover illustration and rear board illustration by A. R. A. German language translation of Winnie the Pooh by E. L. Schiffer. Moderate shelf wear and soil with a cracked rear hinge and small (1/4") hole to the spine cloth, otherwise a tight and clean copy. 
Price: 125.00 USD
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14 [Stanfield, Clarkson F.]; Boswell, James; Croker, John Wilson (ed.); Wright, John (ed.) THE LIFE OF SAMUEL JOHNSON, L.L.D. INCLUDING HIS TOUR TO THE HEBRIDES, CORRESPONDENCE WITH MRS. THRALE, &c. &c. WITH NUMEROUS ADDITIONS, BY JOHN WILSON CROKER. REVISED AND ENLARGED UNDER HIS DIRECTION BY JOHN WRIGHT
London George Bell and Sons 1882 half morocco Near fine Stanfield, Clarkson F. 
10 Vol; C8vo (7.13” x 4.75”). Vol. I: xxiv; 325. Vol. II: viii; 344. Vol. III: ix; 323. Vol. IV: xii; 343. Vol. V: viii; 341. Vol. VI: vii; 342. Vol. VII: viii; 381. Vol. VIII: xi; 431. Vol. IX: xv; 335. Vol. X: xii; 376. Dark green half morocco over nonpareil marbled boards, spine with five raised bands gilt stamped with intertwining fillets; titles gilt stamped in two compartments. Edges marbled to match boards. Each volume contains an engraved frontis. with tissue guard, an engraved fly title as well as fold out facsimiles of letters and multiple portraits by Clarkson Stanfield engraved by Edward Finden. Reprint of the 1872 Bell and Daldy edition which was based on the 1836 Wright edition published by Murray that contains a supplementary collection of contemporary anecdotes concerning Johnson by John Wright titled “Johnsoniana” in Volumes 9 and 10. Bell & Son also released a 5 volume set of this edition in 1882 which is still widely available, but this 10 volume set is quite scarce. A beautiful, fresh, unread set. John Wilson Croker (1780 - 1857) was a British Tory politician and prolific author active in the late 18th C. and early 19th C. His edition of Boswell’s Life of Johnson was considered his best work and saw great popularity when published. The work drew sharp criticism from Croker’s political adversary, Thomas Macaulay, in an influential and much published review that was itself criticized for its contempt of Croker and of Boswell himself. Near fine copy of this scarce edition with faint rubbing to the top and bottom edges. 
Price: 375.00 USD
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15 [Strang, William]; Bunyan, John THE PILGRIM’S PROGRESS FROM THIS WORLD TO THAT WHICH IS TO COME
London The Bunyan Anniversary Society 1928 First Thus Half morrocco Very good + Strang, William 
M8vo (9 ¼” x 7”). pp. [xiv]; 379. Bound by Bayntun in half brown morocco leather with gilt rules and tan cloth boards; spine with five raised bands and six compartments, two of which are ruled in gold and contain the titles, and the remaining four have a gold outer rule and two black inner rules surrounding an open filigree design. Marginal notes, pale blue and pink marbled endpapers, t.e.g. Frontis. with captioned tissue-guard; illustrated title page and 12 additional full page illustrations after etchings by William Strang each with captioned tissue guard. Printed in Holland by G. J. Thieme. A lovely copy with light foxing to extremities, light spotting to the leather and moderate rubbing to corners. William Strang (1859 – 1921) was a Scottish printmaker as painter. He was a student of Alphonso Legros at the Slade School of Art in London where he embraced the school of realism that shaped his work throughout his career. Much of his early career was spent etching landscapes and the portraits of the important artistic and literary figures of his time. Some of his best etchings were done as a series of illustrations for books, with this issue of The Pilgrim’s Progress considered one of his finest efforts. 
Price: 175.00 USD
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16 [Thomson, Hugh (illustrator); Ritchie, Anne Thackeray]; Mrs. Gaskell (Elizabeth Cleghorn Gaskell) CRANFORD
London Macmillan & Co. 1891 First Thus cloth Very good + Thomson, Hugh 
C8vo (7 ¼“x 5 ¼”). pp. xxx; [298]. Introduction by Anne Thackeray Ritchie. Signed publisher’s binding by Hugh Thomson in smooth green cloth gold stamped with titles, a potted plant, a tea service and playing cards; spine stamped in gold with titles and floral decorations; cream end papers; a.e.g. Frontis. with tissue guard and over 100 b/w line block illustrations by Hugh Thomson, including headpieces, tailpieces, historiated initials and textual vignettes – a tour de force of Hugh Thomson’s delicate interpretation of Early 19th Century England. Part of the Macmillan Cranford Series. Balston I 4; Rogerson 4. A very good copy + with slight oxidation to gilt and head of spine chipped as usual. 
Price: 38.50 USD
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17 [Thomson, Hugh. (Illustrator)]; Goldsmith, Oliver; Dobson, Austin (preface) THE VICAR OF WAKEFIELD WITH A PREFACE BY AUSTIN DOBSON AND ILLUSTRATIONS BY HUGH THOMSON
London Macmillan & Co. 1890 First thus Half calf Very good Hugh Thomson 
C8 (5 ¼ x 7 ¼). p. xxxv; 305. +6pp.advts. Green half-calf ruled in gold over black, tan and white marbled boards in the feather pattern.Spine has filigree rules in gold with two red morocco labels with titles in gold. t.e.g; marbled eps. Frontispiece and 181 vignette illustrations by Hugh Thomson, and includes a suppressed plate seen only in this edition on p. 95 that features a maid reading a hand-bill while seated on the back of man bending over. Original binding mounted and bound in rear. VG. Light shelf wear to edges and light rubbing to front joint; bookplate of Georgiana Erdmann and personal library slip tipped in; paperclip mark where accompanying ephemera attached. A lovely copy with an interesting history. Spielmann and Jerrold 5; Balston 3; Rogerson 3; Layard 173. WITH TLS from Duttons, Inc. Dated March 28, 1933 to Mrs. Erdmann regarding a query about the binding of this copy of the "Vicar" - Mrs. Erdmann evidently had requested a Kellogram [Kelliegram] binding from Kelly & Sons, London featuring the suppressed plate from p.95. Duttons found that a Kelliegram cover featuring the supressed plate was no longer available, and offered her samples of other Kelliegram bindings (see below). VG. Letter signed by D.E. Grant of Duttons. Letter torn in half lengthways, repaired with archival tissue on back. WITH two rubbings and a photograph of other Kelliegram bindings made for "Vicar" as alternatives to the suppresed plate binding as samples to accompany the letter. 
Price: 150.00 USD
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18 [Thomson, Hugh; Dobson, Austin]; Burney, Fanny (Madame d'Arblay) EVELINA OR THE HISTORY OF A YOUNG LADY’S ENTRANCE INTO THE WORLD
London Macmillan & Co. Limited 1904 First Edition Cloth Very good Thomson, Hugh 
Second printing. C8vo (7 ¼" x 5 ¼"). pp. xxv; 477. Introduction by Austin Dobson. Unsigned publisher’s binding with an Art Nouveau sensibility by Hugh Thomson in smooth green cloth gold stamped with titles and Evelina beneath a tree with falling leaves; spine stamped in gold with titles and floral decorations; cream end papers; a.e.g. Frontis. with tissue guard and over 70 b/w line block illustrations by Hugh Thomson, including headpieces, tailpieces, historiated initials and textual vignettes – another tour de force of Thomson's delicate interpretation of the 18th Century.

A very good copy of this book with light fading to spine, faint foxing to the endpapers and light rubbing to the extremities. A lovely, bright book. Part of the Macmillan Cranford Series. Balston I 21; Rogerson 21. 
Price: 75.00 USD
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